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The  curators  aimed  to  make  an  extensive   artists, while keeping in with the tradition, try to alter
                  presentation  of  watercolourists  who  remained    emotional  vibrations  in  their  watercolour  pieces  and
                  previously unknown to the general public.           fill them with unusual energy. As a means of artistic
                        The  works  by  contemporary  painters  confirm   explorations, watercolour allows devising spaces filled
                  that  the  artistic  traditions  set  by  their  predecessors   with shades and light and surprises with an endless
                  continue  to  develop  and  expand.  They  testify  to  the   variety of techniques. However, the search for forms
                  succession of generations and the high professionalism   is  not  the  only  aspect  that  determines  the  style  of
                  of artists from all over the country.               contemporary artists – it’s rather a profound desire to
                        From  the  very  first  decades  of  its  history,   grasp the foundations of the being and the real origins
                  Kazakhstan’s  school  of  watercolour  developed  in   of our time.
                  several directions: the meticulous studies of life with   Murat  Bilyal,  Yelena  Iokton  and  Meruert
                  the immediate use of natural motifs and the image of a   Murzabekova create portraits of their contemporaries.
                  human being; the attempts to summarise and reflect on   Tabyldy  Mukatov,  Maria  Sorokovskaya,  Kuralai
                  the being in a poetic manner; and, finally, the subjective   Umbetova, Toleugazy Baigaliyev, Tatyana Chevtayeva
                  reaction  to  the  reality,  which  is,  in  our  opinion,  an   and Asiya Khairulina praise the everyday life of their
                  essential quality of Kazakhstan’s watercolourists.  homeland. Mazhit Baitenov, Kairbay Zakirov, Mukhtar
                        Watercolour:  Yesterday  and  Today  provides   Syzdykov,  Serik  Tainov  and  Aranshy  Sharzhanov,
                  a rare chance to see the masterpieces of watercolour   among  others,  explore  the  nation’s  rich  history  and
                  and try to understand them from today’s viewpoint.   folklore.
                  This is an opportunity to discern the peculiar features   From  the  very  birth  of  the  artistic  tradition  in
                  of the creative path of painters from different periods   Kazakhstan, painters – irrespective of their ethnic origin
                  of the country’s artistic evolution. The distance in time   or  professional  level  –  expressed  their  individuality,
                  allows making a fair judgement about the professional   recognised the objective conditions of their respective
                  and artistic qualities of different works and visualising   time,  and  asserted  their  own  understanding  of  the
                  the history of Kazakhstan’s school of watercolour in its   events that happened in the country and the society.
                  integrity and continuity.                                 As a reflection of the thoughts and feelings of
                        The  exhibits  from  the  Kasteyev  State  Museum   each of the artists, the watercolours on display are the
                  of Arts’  collection  tell  about  the  sources  that  fed  the   records of the epoch that help to trace the evolution of
                  artistic environment and the creative potential of the   individuality. They also are an important means for the
                  country’s painters.                                 comprehension of the time and history of the nation.
                        The diverse and rich nature of Kazakhstan is the   While  continuing  to  search  for  a  special  space  filled
                  main theme developed by artists of various generations.   with light and a symphony of colours, Kazakhstan’s
                  Each of the watercolourists presented at the exhibition   artists have always felt responsible for what happens
                  has  found  their  own  way  of  understanding  and   around them and continued to develop their creative
                  discovering  the  world  around  them.  The  authors  of   personality.
                  plein-air  landscapes  include  Kurmangazy  Akashev,
                  Yerzhan   Akhayev,   Tileuzhan   Batanov,   Yegor
                  Bezborodov,  Mukhtar  Bekenov,  Maxim  Vedernikov,                              Svetlana Kobzhanova,
                  Timur Dairbayev, Olga Katsyuba, Kanagat Kodekov,                                                 PhD
                  Tokbay Kosherbayev, Maksat Kantarbayev, Tokkozha
                  Kozhagulov,  Natalya  Milyutina,  Zhambyl  Natbayev,
                  Marlan  Nysanbayev,  Bakhyt  Seisenkhanuly,  Rauan
                  Suleimenov, Yelena Tyo, and Yuri Kharchenko.
                        Still-life  has  never  been  the  preferred  genre
                  among Kazakhstan’s painters, but the works by Olyona
                  Kolomytseva, Larisa Kuznetsova, Gulshat Madibiyeva
                  and other artists on display that depict the life of the
                  “tranquil nature” bear a special motif that refers to the
                  academic style and techniques.
                        When artists turn to the country’s history as well
                  as everyday life, they expand significantly the range of
                  styles and genres they resort to, thereby revealing their   1. Полонская Н.А. Дополнительные сведения к биографии
                  limitless  colouristic  and  drawing  potential.  The  play   Н.Г. Хлудова. Междунар.научная конференция
                  of forms and volumes, the most delicate shades and   «Художественный музей и его роль в контексте современной
                  colours, the exquisiteness of contrasts, the monochrome   культуры» Алматы: ГМИ РК им. Абылхана Кастеева, 2003
                  accuracy of lines, and the way the textures are rendered   Polonskaya, N. More on Nikolay Khludov’s Biography.
                                                                      An Art Museum and Its Role in Contemporary Culture:
                  transform the past events and the surrounding world   International Research Conference. Almaty, Kasteyev State
                  into  vivid  and  memorable  images.  Contemporary   Museum of Arts, 2003.





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